Programme Festivals

Whitstable Biennale

Josephine Callaghan, Summercamp, Whitstable Biennale 2018. Photo: Rosie Lonsdale

Caroline Bergvall, Conference (after Attar), Whitstable Biennale 2018. Photo: Thierry Bal

Madeleine Ruggi, TRANSMISSION—CARRIER, Whitstable Biennale 2022. Photo: Rob Harris

Performance Klub Fiskulturnik, Yugo Yoga on Whitstable Beach, 2012. Photo: Matt Wilson

Performance Klub Fiskulturnik, Yugo Yoga , 2012. Photo: Matt Wilson

A group of people, all dressed in green items of clothing, sit in a circle in a small white room that is filled with green items such as; a large green rug, lit candles standing in green beer bottles, and green artworks drawn on and pinned to the walls.

Oreet Ashery, The Saints Of Whitstable, Whitstable Biennale 2008. Photo: Simon Steven

Richard Wilson and Zatorski + Zatorski, Whitstable Sounding, Whitstable Biennale 2014. Photo: Bernard G Mills

Between 2002 and 2022, Whitstable Biennale brought people together to experience some of the most experimental new visual art being made in the UK in film and performance.

It developed an international reputation for developing experimental new work, working closely with artists early in their career to create new and experimental works, made slowly in and with the small coastal town of Whitstable. Artworks, in performance and film, were woven into the fabric of the town, the idiosyncratic halls and huts, the alleyways and oyster beds, the working harbour and the steep shingle shoreline. 

Cement Fields has grown out of Whitstable Biennale, which, in 2018, joined Arts Council England’s National Portfolio in acknowledgement of a wider remit to work across North Kent. 

Editions

Visit whitstablebiennale.com to see the full festival archive.