This Must Be the Place

2020 – 2023

Andrew Merritt

Intertidal Allotment

2022

Webb-Ellis

Markers

2021 – 2022

Harun Morrison

Spring Creative Lab

2022
At dawn a group of people watch two performers speaking into microphones. Behind them is a wide expanse of sea, with cloud covered mountains in the distance. The dawn light creates dark shadows and casts everything in a pale blue hue.

Caroline Bergvall

Nattsong

2021

Jasleen Kaur

The first thing I did was to kiss the ground

2021

Shepherd Manyika

Do you have Snapchat? Mapping The Fleet

2021

Lydia Brockless

Deep Thames // Visit Cretaceous

2021

Amy Pennington

ELIZA

2021
Emily Whitebread's 'The Ebbsfleet Elephant' installed at Ebbsfleet International train station. A large glass window is covered by an image depicting the Ebbsfleet Elephant.

Emily Whitebread

The Ebbsfleet Elephant

2021
A hand picks up the ceramic objects, made as part of Alison Cooke's 'Future Archaeology of Ebbsfleet', from a red crate lined with padding..

Alison Cooke

The Future Archaeology of Ebbsfleet

2021
Esther Collins, Joinery, 2019. Photo: Marta Martinez

Dylan Shipton, Esther Collins, Lydia Brockless

Joinery

2019 – 2020
Esther Collins, Joinery, 2019. Image courtesy of the artist.

Various Artists

Raising the Sittingbourne Barn

2018 – 2020
Ash Walks, Marcus Coates and Fiona MacDonald : Feral Practice, 2018. Photo: Matthew de Pulford

Various Artists

Ash Walks

2018
Stuff Happens Here, Session with Jo Waterhouse, 2016. Photo: Matthew de Pulford

Esther Collins

Stuff Happens Here

2016 – 2017
Histories of the Hoo Peninsula, Exhibition at Hoo Library, 2017. Photo: Simon Fowler

Histories of the Hoo Peninsula

2016 – 2017
Mikhail Karikis, Ain't Got No Fear, 2016 (production still). Image courtesy of the artist.

Mikhail Karikis

Ain't Got No Fear

2015 – 2016

Various Artists

Artist Walks

2015 – 2016
Esther Collins, Good Tidings, 2015. Photo: Matt Rowe

Esther Collins & Matt Rowe

Good Tidings

2015