Programme Commissions

Ivan Morison

White Horses

Ivan Morison, White Horses (film still), 2025. Courtesy of the artist.

Ivan Morison, White Horses (film still), 2025. Courtesy of the artist.

Ivan Morison, White Horses (film still), 2025. Courtesy of the artist.

Ivan Morison, White Horses (film still), 2025. Courtesy of the artist.

Ivan Morison, White Horses (film still), 2025. Courtesy of the artist.

At the heart of Sea Like a Mirror, is a newly commissioned artwork, White Horses, by Ivan Morison, from the collaborative practice of Heather Peak and Ivan Morison. Commissioned to mark the 200th anniversary of the Royal National Lifeboat Institution (RNLI), it is inspired by the profound legacy of their life-saving work and the special status its volunteer crews occupy in the collective consciousness of our island nation. 

This travelling work, housed within a unique, custom-made sculptural tent will be installed on the seafront, immersing audiences in the stories of RNLI crew and local people from around our coastline. Within this structure, Ivan’s new work, White Horses, will be screened using 16mm projection and accompanied by live music from local musicians, presenting a multifaceted portrait of the sea and the nation’s coastal towns, bringing together six diverse locations, each linked by the lifeboat station at the centre of their community.

Produced through a series of visits to lifeboat stations and seaside towns around the coastline, and in close collaboration with those who hold a deep connection to the water, the work explores the sea’s innate duality as a place of wonder and peril, and the myriad roles it plays for coastal communities.

“When I began this wintertime survey of the coast, I was looking for storms, and people who face that storm, people who have found a place in the service of the sea. I have met fishermen of lobsters and crab, farmers of oysters, I have seen where we build our nation’s nuclear submarines, and understood the changing economies of these coastal towns, I have been out to wind farms and watched blade technicians at work, I have darted between huge tankers with a sixth-generation skipper on his tug, and I have swam with those that swim and been saved by those that save. 

Yes I have found waves, sometimes there have been storms, but more than that I think I have found a changing but thriving coast populated by people with a sparkle in their eyes, doing remarkable things with an understated competence, and a lightness and joy. It’s this everyday preparedness, the ability to perform in extreme conditions, that I think I am looking for, and that perhaps the final work may illustrate. This is not a comprehensive survey, just an impression, the film an evocation of the spirit of these places and people.” – Ivan Morison

In each setting, White Horses will be accompanied by a series of commissions by local artists, made in collaboration with the area’s community in dialogue with Ivan’s central artwork.

Sea Like a Mirror is a partnership project led by Cement Fields, with Art Gene, Norfolk & Norwich Festival, North East Lincolnshire Council & East Marsh United, and Super Culture. Delivered in collaboration with the Royal National Lifeboat Institution (RNLI) and supported with public funding from Arts Council England. Presented in Gravesend for Estuary 2025 with Estuary Festival’. 

Friday 2 May

16:00-17:00 – White Horses Screening
19:30-20:30 – White Horses Screening

Saturday 3 May

13:00-14:00 – White Horses Screening
15:30-16:30 – White Horses Screening
19:30-20:30 – White Horses Screening

Sunday 4 May

13:00-14:30 – White Horses Screening plus Q&A with Ivan Morison
15:30-16:30 – White Horses Screening
19:30-20:30 – White Horses Screening

Monday 5 May

13:00-14:00 – White Horses Screening
15:30-16:30 – White Horses Screening

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Saturday 21 June

11:30-12:30 – White Horses Screening
14:00-15:00 – White Horses Screening
18:00-19:00 – White Horses Screening

Sunday 22 June

11:30-12:30 – White Horses Screening plus Q&A with Ivan Morison
14:00-15:00 – White Horses Screening

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