Welcome to the inaugural episode of Notes From The Field, a Cement Fields podcast where we talk to artists, practitioners and researchers to dig deeper into our projects and the people behind them. Our very first guest in this series is Floating University Berlin. We’re really grateful that we got to spend some time with […]
Artist Anna-Maria Nabirye sat down with artist and curator Nephertiti Oboshie Schandorf to discuss her work and influences, and the importance of prioritising love and care in creative practice.
William Fowler, writer and Curator of Artists’ Moving Image at the BFI National Archive, looks at Phil Coy’s forthcoming film Grit, exploring how its ‘amphibian vision’ presents a resetting of historic ways of looking, through its links to the history of experimental film and cinema.
As part of her residency with Cement Fields, Savinder Bual spent time exploring the Isle of Sheppey, observing the place and forming ideas which will be explored further over the next two years, towards a new commission for Whitstable Biennale.
Artist duo Webb-Ellis, in conversation with Grace Lockrobin, discuss their project ‘We chose the earth’ and their experiences working with North Kent school students to collectively re-imagine ways of being and learning together.
Night & Refuge is a project within Caroline Bergvall’s ongoing cycle of interdisciplinary perfomances Sonic Atlas, which explores languages in movement and in transformation through speech, sounds, songwork in a range of performative situations.
Sue Jones, Director of Whitstable Biennale since 2005, writes about how the organisation is changing, with a re-launch and a new umbrella name, Cement Fields.
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