William Fowler, writer and Curator of Artists’ Moving Image at the BFI National Archive, looks at Phil Coy’s forthcoming film Grit, exploring how its ‘amphibian vision’ presents a resetting of historic ways of looking, through its links to the history of experimental film and cinema.
As part of her residency with Cement Fields, Savinder Bual spent time exploring the Isle of Sheppey, observing the place and forming ideas which will be explored further over the next two years, towards a new commission for Whitstable Biennale.
Artist duo Webb-Ellis, in conversation with Grace Lockrobin, discuss their project ‘We chose the earth’ and their experiences working with North Kent school students to collectively re-imagine ways of being and learning together.
This series of downloadable journals, written and edited by the Gen Z group, aims to act as insightful, expressive and critical framework, allowing their ideas to develop into magazine content. The second journal looks at mental health and is edited by Fabienne.
This series of downloadable journals, written and edited by the Gen Z group, aims to act as insightful, expressive and critical framework, allowing their ideas to develop into magazine content. The first journal is a visual journey through the different facets of fashion and its subcultures edited by Maria.
Sue Jones, Director of Whitstable Biennale since 2005, writes about how the organisation is changing, with a re-launch and a new umbrella name, Cement Fields.
Loading...
End of content